Joey Sturgis Tones Promo Codes and Coupons September 2025

Joey Sturgis Tones

JoeySturgissTones (JST) is a leading developer of digital audio plugins and virtual instruments, specializing in metal and rock music production. Founded by renowned producer Joey Sturgis, the company offers high-quality mixing and mastering tools, amp simulators, and processing plugins designed to achieve professional-grade sound production.

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Featured Joey Sturgis Tones Products

JST FX Bundle

The very best of JST's effects plugins, all in one place. Save more than 25% off the retail value when you buy this bundle. Includes Sidewidener II Sidewidener II is the ultimate mono-compatible spatial imaging tool for individual sources, instrument groups, and master bus processing. Pixelator Pixelator is an ultra-precise bitcrusher plugin created by JST for sound design and music production. Sub Destroyer Sub Destroyer is the ultimate bass drop/subharmonic generator plugin designed to bring deeper, fuller subs to your sessions. Soar Soar is a tape delay combining the lush, analog tones of tape with the power and flexibility of digital processing. Maintain complete creative control of your delays in a clean, feature-packed plugin. Requirements A computer with Intel, or M-Series compatible processor (requiring macOS 10.14+), Windows or Mac operating system, and a compatible DAW installed (check which plugin formats your DAW supports). These plugins do NOT operate as a standalone application! Compatibility Windows 7+ : VST3, AAX macOS 10.14+ : VST3, AU, AAX 64-bit only M-series chip support requires macOS 10.4+ Legal © Joey Sturgis Tones. All rights reserved.VST and VST3 are trademarks of Steinberg Media Technologies GmbH.Mac OSX and Audio Unit are trademarks of Apple, Inc.RTAS and AAX are trademarks of Avid, Inc.Windows is a trademark of Microsoft, Inc.

USD 39.00

Pixelator - Unique Bitcrushing Plugin

FEATURED ON: Pixelator is an ultra-precise bitcrusher plugin created by JST for sound design and music production. This bitcrushing solution was created with input from producers, sound designers, and musicians to ensure that each mode allows you to create low resolution audio and bit crushed sound with unique sonic characteristics and maximum accuracy. It’s also incredibly effective for sonic exploration and 8-bit/chiptune-style music! What is Bitcrushing? Bitcrushing is a sound effect that is created by reducing the number of bits used to represent a sound wave. Bitcrushing can be used to create a variety of effects, such as making a sound distorted, crunchy, or lo-fi. The easiest way to achieve these effects is through the use of a bitcrusher plugin like Pixelator. In music, bitcrushing is often used to create a distorted or crunchy sound. It can also be used to create a lo-fi sound, which can be desirable for certain genres of music, such as hip hop and electronic music. In movies and TV, bitcrushing is often used to create tension, unease, or danger. It can be used in place of clippers like JST Clip on explosions and other loud noises and is often added to film scores to tie the music back to the environment. In video games, bitcrushing is often used to create a retro or nostalgic sound or as a layer to maximize the impactfulness of sounds as you might hear in movies. In recent years, bitcrushing has become increasingly common in first-person shooters like Battlefield and Call of Duty. JST · Pixelator 5 Bitcrushing Modes Pixelator offers five unique algorithms for bitcrushing, defined as mothat you can select from within the plugin. With two Sample & Hold options, two Liner options, and a unique Zero Pad mode, you’ve got lots of choices when it comes to how you manipulate your audio. Sample & Hold I Sample and hold is a technique used to reduce the sample rate and bit depth of audio. It works by repeatedly sampling the audio signal at a lower rate and then storing the value of each sample in a register. The register can only hold a certain number of bits, so when the audio signal is sampled at a lower rate, the values of the samples are rounded down to the nearest value that can be stored in the register. This process of rounding down the values of the samples causes the audio signal to be degraded in quality. Sample & Hold II The alternate Sample & Hold mode follows the same process as Sample & Hold I, but instead of rounding down to the nearest value that can be stored in the register, it holds and repeats the maximum value encountered in the previous block, applying this maximum value to subsequent samples until the start of the next block. Linear I This mode applies linear interpolation within each block of audio, introducing more high-frequency loss as sample division is increased and bit depth is reduced. Linear interpretation is a method of converting high-fidelity signals to low-fidelity signals by sampling the high-fidelity signal at regular intervals and then converting each sample to a low-fidelity value. This method causes high-frequency loss in audio because the low-fidelity values are not able to represent the full range of frequencies in the high-fidelity signal. The higher the Sample Division, the more distorted the representation of the audio will be. Linear II Like Linear I, this mode uses a form of linear interpolation to bitcrush audio. Instead of rounding down the values as Linear I does, it rounds up instead — behaving similarly to how Sample & Hold II does. As with all modes, more sample division and lower bit depths create a more processed sound. Zero Pad In Zero Pad mode, a different algorithm is applied that starts a new block using the input samples directly and pads the remaining space within each block with zeros. This is an effect that is commonly offered in other bitcrushers — offering a unique audio experience for any sounds processed through it. What You'll Get Single-User Perpetual iLok Software License Audio Plugin in AAX, AU, & VST3 formats User Manual Requirements Mac or Windows computer with supported OS and supported DAW FREE iLok Account (iLok dongle NOT required - Computer, iLok 2/3, iLok Cloud activation supported), 3 activations provided Supported Operating Systems Windows 7 or above (64 bit only): AAX, VST3 macOS 10.14 or above (Intel, or M-Series. 64 bit only): AAX, AU, VST3 Supported DAWs Cubase Reaper Pro Tools Logic Garageband Ableton Live Studio One FL Studio Digital Performer LUNA Legal © Joey Sturgis Tones. All rights reserved.VST3 is a trademark of Steinberg Media Technologies GmbH.Mac OSX and Audio Unit are trademarks of Apple, Inc.AAX is a trademark of Avid, Inc.Windows is a trademark of Microsoft, Inc.

USD 11.99

JST Demon Fuzz

JST Demon Fuzz is a beautifully dirty, texture-rich distortion plugin for tone design. Inspired by the designs of fuzz pedals, JST Demon Fuzz features three distinct tones that mix the smooth, harmonic sustain of a fuzz effect with the grit and depth of distortion, creating the ideal solution for adding bite or saturation to your mix. JST · JST Demon Fuzz JST Demon Fuzz features a three-way toggle that offers Normal, Bass Boost, and Dry options. Additional Volume, Tone, and Sustain controls provide even more tweaking. Dime the output to hit your signal harder; dial back the Tone to muddy the distortion, or turn it up to add more top end; max the Sustain to more resonance, or turn it down to clean it up just slightly. ADVANCED FEATURES In addition to the base features on the pedal, the “Advanced” tab opens up all the customization you could ask for: Input & Output Control Noise Gate Mix knob to blend the dry and processed signals High Pass & Low Pass filter slider Polarity options Compression Character to control the sound of the distortion Mids to control how much the mids are cut or boosted Tone button to enable or disable the tone circuit “Wicker” to open up the frequency bandwidth for a clear top end “Alt Circuit” to enable or disable an alternative fuzz circuit Plug and play with your favorite Toneforge or Bassforge Amp Sim, load up presets, or tweak to perfection to create the most sinister sound you can find - the choice is yours! JST Demon Fuzz is perfect for: Guitars Bass Synths Sound Design Effects Drums Sculpt your ideal tone with JST Demon Fuzz. WHAT YOU’LL GET Single User Perpetual Software License Presets from Joey Sturgis, JST Team, producers, mixers, and more! Audio Plugin in AU, VST3, AAX formats User Manual REQUIREMENTS Mac or Windows computer with supported OS and supported DAW/Host application FREE iLok Account (iLok dongle NOT required - Computer, iLok 2/3, iLok Cloud activation supported), 3 iLok activations OS COMPATIBILITY Windows 7+ macOS 10.14+ (Intel/M-Series) SUPPORTED DAWs Cubase Reaper Pro Tools Logic Garageband Ableton Live Studio One FL Studio Digital Performer

USD 6.66

Toneforge® DI Match

Overview Toneforge DI Match is the first and only audio plugin of its kind, allowing users to transform their guitar & bass tracks (commonly referred to as “DI” or “direct input/injection” tracks) into hyper-accurate, targeted tones in real-time with zero latency. Use any guitar or bass with any combination of pickups and strings and make it sound like another guitar or bass in seconds! Some common uses of Toneforge DI Match include: Match your DI to the DI of a different session Match your DI’s sound to another musician’s DI sound Match a Strat-style guitar to a Tele-style guitar Match an Acoustic Bass to an Electric Bass Match humbucker pickups to single-coil pickups Match active pickups to passive pickups Match a guitar or bass with older strings to a DI with fresh strings With Toneforge DI Match, you’ll unlock virtually endless tonal options for your guitar & bass tracks at the source - before they ever hit an amp. About DI Match Technology DI Match Technology is a proprietary solution that analyzes and manipulates DI signals. It consists of three digital signal processing techniques: Spectral Matching, Level Matching, and Active Pickup Circuit Simulation. These techniques shape the DI sound at the source, allowing users to achieve the desired tone. Spectral Matching Capture the frequency curve and sonic imprint of your instrument in seconds with Toneforge DI Match’s spectral matching. As you play your guitar or bass, the software automatically adjusts the curve until it reaches its optimal state. Once captured, your DI can be matched to any other DI profile captured or imported into Toneforge DI Match. Get started with one of the included DI profiles from industry leading artists, producers, and the JST team, as well as pink & white noise captures for smoothing. Level Matching Once you have matched your Spectral Image to taste, the next often overlooked step that can make or break a tone from the start is achieving nominal gain. Nominal gain is when your volume hits that perfect sweet spot of the amp and other components in the tone. This is where Level Matching comes in. Adjust it to taste, or set it to 100% to match the targeted profile DI profile one to one. It is especially handy when matching a DI to something that has "hotter" pickups. Active Pickup Circuit Simulation The Active Pickup Circuit Simulator simulates a real active pickup and allows you to add gain to your DI signal, even if your source is passive! Engage the Active Circuit button and explore the rich tones of an active pickup's internal preamp. You can push your limits even more by using the Gain Knob to give your sound an aggressive and dynamic edge. With the advanced features of Toneforge DI Match, precision and artistry are at your fingertips. JST · Toneforge DI Match What You'll Get Single-User Perpetual iLok Software License Audio Plugin in AAX, AU, & VST3 formats User Manual Requirements Mac or Windows computer with supported OS and supported DAW FREE iLok Account (iLok dongle NOT required - Computer, iLok 2/3, iLok Cloud activation supported), 3 activations provided Supported Operating Systems Windows 7+ (64-bit only): AAX, VST3 macOS 10.14+ (Intel, or M-Series. 64-bit only): AAX, AU, VST3 Supported DAWs Cubase Reaper Pro Tools Logic Garageband Ableton Live Studio One FL Studio Digital Performer LUNA Legal © Joey Sturgis Tones. All rights reserved. Joey Sturgis Tones, JST, and Toneforge each are a registered trademark of Joey Sturgis Tones, LLC DI Match and DI Match Technology are each a pending trademark of Joey Sturgis Tones, LLC VST and VST3 are trademarks of Steinberg Media Technologies GmbH. Mac OSX and Audio Unit are trademarks of Apple, Inc. AAX is a trademark of Avid, Inc. Windows is a trademark of Microsoft, Inc.

USD 49.95

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More Joey Sturgis Tones Products

Impulse Response Starter Bundle

Introducing the Impulse Response Starter Bundle — your gateway to a sonic revolution in guitar and music production. Crafted by Joey Sturgis Tones, a pioneer in audio engineering, this bundle unleashes the power of 190 meticulously curated raw and mix-ready impulse responses across three exceptional packs: ANVIL, JTW v30, and Conquer All Volume I. Designed with both seasoned professionals and aspiring enthusiasts in mind, this collection serves as the perfect initiation into the realm of impulse responses. Delve into an extensive array of renowned guitar cabinets from industry giants like Ampeg, Fender, Marshall, Mesa, Zilla, and Peavey. Immerse yourself in the distinct tones of speakers by Celestion, Eminence, and Jensen, captured through premium microphones from Shure, Royer, Sennheiser, Beyerdynamic, AKG, Neumann, Gefell, and Coles. Elevate your sound further with preamps from API, Neve, and Universal Audio. The JTW v30 IR Pack goes above and beyond, incorporating post-processing magic from the Shadow Hills Mastering Compressor and Manley Massive Passive EQ, coupled with the unparalleled quality of Burl audio conversion. Whether you're a guitarist, engineer, producer, or mixer, the Impulse Response Starter Bundle is your passport to unlocking the true potential of your sonic journey. Embrace the future of sound with confidence — it begins here. Nearly 200 Impulse Responses ANVIL IR Pack Ampeg SVT Classic Fender Twin Vintage Marshall 4x12 (Celestion G12-K100) Marshall 4x12 (Celestion Vintage 30) Mesa Rectifier 1x12 (Eminence CV-75) Tornado Stealth 65 Mesa Rectifier 1x12 (Jensen Alnico) Mesa Rectifier 4x12 (Celestion Vintage 30) Zilla 2x12 Greenback (Celestion G12-M) JTW v30 IR Pack Marshall 4x12 Mesa 2x12 Neve Portico Preamp Shadow Hills Mastering Compressor Manley Massive Passive EQ Burl Audio Converters Conquer All Vol. I Oversized Mesa Rectifier (Celestion Vintage 30) Marshall 30th Anniversary 4x12 (Celestion Vintage 30) Peavey 410DX Bass Cab API, Universal Audio & Neve-Style Preamps Requirements Any IR Loader or Toneforge/Bassforge plugin with built-in IR Loader support A DAW installed for hosting an IR loading plugin and amp simulator Wondering How To Use These? Check out our blog post, Getting Started With Impulse Responses for Guitar, and contact us with any questions as you're setting things up!

USD 39.00

Howard Benson Vocals Bundle

Get Howard Benson's Award-Winning Vocal Chain! Joey Sturgis Tones announce an all-new vocal mixing plugin, Howard Benson Vocals, the signature vocal chain of legendary producer Howard Benson. Now with Brand New 3D GUI! Altogether, Benson has contributed to more than 100 million album sales and more than 20 billion streams over the course of his career. This work has garnered him multiple awards and nominations, including a nomination for Producer of the Year in both 2007 and 2008. ...These are just a few of the many bands Howard has worked with over the years... 3 Doors Down - 10 Years - Adam Lambert - All That Remains - Apocalyptica - Black Stone Cherry - Blessthefall - Chris Cornell - Cold - Creed - Daughtry - Escape The Fate - Gavin DeGraw - Halestorm - Hawthorne Heights - Head Automatica - Hoobastank - In Flames - Issues - Kelly Clarkson - Less Than Jake - Lia Marie Johnson - Motörhead - My Chemical Romance - Of Mice & Men - Orianthi - Otep - P.O.D. - Palisades - Papa Roach - Puddle of Mudd - Rascal Flatts - Red - Relient K - Saliva - Santana - Saosin - Seether - Sepultura - Simple Plan - Skillet - Skindred - The All-American Rejects - The Maine - The Red Jumpsuit Apparatus - The Starting Line - Theory of a Deadman - Third Day - Three Days Grace Start adding the elite modern vocal chain to your mixes! As you can tell, Howard Benson doesn’t just stick to a single genre – his work can be heard all over the charts. His dynamic approach to vocal production has led to huge major label success and for the first time ever, his award winning vocal mixing formula is available in one powerful audio plugin. With Howard Benson Vocals, we’ve meticulously modeled every aspect of Howard’s vocal chain with direct input from Howard and his team every step of the way. Working to capture the essence of both hardware and software processing, we ended up with seven distinct signal chain elements that work together to form the core of his vocal sound. So much of Howard’s sound comes from the dynamic front-end of the chain in the form of compression and EQ. Depending on the vocal styling, you can keep things clean and controlled or warm them up with tube saturation & grit controls. His semi-parametric EQ gives you the ability to paint in wide strokes sonically before passing through to the spatial section. Spatially, Howard Benson Vocals includes both a multiplier and a spatial widener for three-dimensional control. Double your vocal for lush harmonic density and adjust the width of your vocal to dictate presence in the mix. Finally, no vocal production would be complete without time-based effects. Using the Echo and Space modules in the plugin, producers can dial in the space around their voice for complete continuity with the mix. Finish everything off through a final output stage (limiter included) and you’ve got all the ingredients of a professional vocal mixing chain. Sweet Saturation Start off in the sweet spot with a compressor geared up for great vocals! This compressor comes packed with Grit and Tube Warmth - sure to add some heat, sweetness, and saturation to any voice. Set the optimal input level with an easy to find Sweet Spot Start compressing instantly with the Comp knob using the standard algo or the slower, smoother “Opto Mode” Push your vocals harder post-compression with the Gain knob or take out the guesswork with Auto Make-Up gain Easily de-ess vocals with the De-Esser knob Colorize your sound with some Grit and/or Tube Warmth for a dirtier, denser tone Creative Equalization With the semi-parametric, 3-band EQ, paint a picture of how your vocals should sound. Use wide strokes with bell curves for big, dramatic vocals or keep your brush strokes narrow for finer, detailed control. Whatever you choose, this EQ's musicality is sure to resonate with your vocalist. Set your ideal signal chain order with Pre-Comp or Post-Comp EQ Roll off the lows with a built-in Hi-Pass Filter or get even grittier with a LoFi algorithm Use your high and low frequencies to shape the sound of your vocal Widen or narrow your palate with Bell curves Perfect your vocal mid-range with a fully adjustable Q Hearing Double Multiply your results with half as much effort. Achieve a luscious, doubled vocal when you're without a double track. Use the Amount knob to determine just how much of that doubled vocal to cut through Set the Offset knob to add some variety and complexity to your sound Remember - nobody expects a perfectly doubled vocal. It's those slight variations that make it all work! Thicker Vocals As much as harmonic density adds to the thickness of your vocal, you also need to consider how much of your vocal's presence comes from how wide it sounds. The Width module lets you spread your vocals out wide without thinning them out. Width sets exactly how wide you'd like your vocals to be The Range knob helps determine which part of the frequency spectrum the effect acts on. You can anchor the body of your vocal front and center with the Mono Low-End switch and expand your vocal's spatial presence from there! Expressive Echoes Tempo-synced or Milliseconds? Mono or Stereo? How many repeats? With this vocal-centric echo unit, your delays can dance around your vocals in any manner you'd like. Set the number of repeats and level of your echo simultaneously with the Amount knob Keep those repearts right down the center or let them bounce around in stereo See your exact delay times (in ms or tempo-based measurements) with the digital readout Add some character to your sound with LoFi delays Fully automatable for the ultimate vocal delay throws Beyond The Booth Now things are starting to take shape... But what shape will your vocals be in? With the Space control, you decide between intimate, upfront vocals or larger than life reverb. Use lower Size settings for intimate, tight & focused vocals Turn it up high for ballads & arena rock anthems when your singer is really belting out those notes! Amount provides a convenient way to go from fully dry to fully wet and everything in between without having to jump back and forth between plugins High Voltage All good things must come to an end, but by the time you're done, you'll have a high octane vocal ready for release. Use the optional Limit circuit to catch any stray peaks as your vocals pass onto the next part of their path Start how you began with Output Gain Easily find that Sweet Spot once more - post-processed & ready for action! Change your signal path's routing with a Pre FX switch for when you want to set levels before the effects in the chain What You'll Get Single-User Perpetual Software License (3 activations) Audio Plugin in AAX, AU, & VST3 formats Over 99+ presets created by producers and engineers featuring Howard Benson, Mike Plotnikoff, Joe Rickard, Hatch Inagaki, Joel Wanasek, Joey Sturgis, Collaborators, members of the JST Community and more Vocal production insights video with Howard Benson and Mike Plotnikoff* Vocal mixing video tutorial with Howard Benson* Vocal mixing video tutorial with Joey Sturgis* Complete how-to video manual explaining all functionality of the plugin Plugin User Manual * Videos are accessed via the JST VIP Members’ Portal. Membership is not required. Requirements Mac or Windows computer with supported OS and supported DAW (see below). FREE iLok Account (iLok dongle NOT required - Computer, iLok 2/3, iLok Cloud activation supported). Supported Operating Systems Windows 7+ (64-bit only): AAX, VST3 macOS 10.14+ (Intel or M-Series, 64-bit only): AAX, AU, VST3 Supported DAWs Cubase Reaper Pro Tools Studio One Ableton Logic Pro GarageBand FL Studio Cakewalk Etc Legal © Joey Sturgis Tones. All rights reserved.VST and VST3 are trademarks of Steinberg Media Technologies GmbH.Mac OSX and Audio Unit are trademarks of Apple, Inc.AAX is a trademark of Avid, Inc.Windows is a trademark of Microsoft, Inc.

USD 149.00

Howard Benson Vocal Multiplier - Voice Generation Software

Howard Benson Vocal Multiplier is an audio multiplier & post processing audio software plugin created by Joey Sturgis Tones; in collaboration with Grammy nominated and multi-platinum selling producer Howard Benson. Howard Benson Vocal Multiplier finally gives you an all-in-one tool that can go from a single vocal take to hundreds of vocal layers in seconds. Not only does it sound convincing as if you’ve painstakingly recorded and edited several vocal layers the hard way, it also gives you INSANE control over the mix of all those layers via saturation, compression, reverb, delay and more. Best of all? It works great on instruments too! JST · Howard Benson Vocal Multipler - Audio Examples Who Is Howard Benson? Howard Benson is a music producer and is renowned for his work with artists including Kelly Clarkson, Flyleaf, My Chemical Romance, Three Days Grace & many more. Howard was nominated for Producer of the Year in both 2007 & 2008 and has won GRAMMYs for his work on Kelly Clarkson’s Stronger (Best Pop Vocal Album, 2013) and Halestorm's "Love Bites (So Do I)" (Best Hard Rock/Metal Performance, 2013). Check out these amazing tracks made using Howard Benson Vocal Multiplier Feature Breakdown Here is a quick breakdown of the main sections of the Howard Benson Vocal Multiplier plugin... Advanced Voice Generation Howard Benson Vocal Multiplier utilizes an advanced voice generation engine based on Joey & Howard’s unique “Sample & Hold” algorithm. It was designed to take your source audio and turn it into a lifelike clone, including variations in pitch and timing as you’d find in a real-world vocal double. It can create one double or many voices depending on how you set it up. Voices can be tightly locked together or modulated for more extreme results. Enhanced Post Processing Howard Benson Vocal Multiplier introduces more post processing features than you’ll find in any other multiplier plugin. Whether you’re working with a single voice, a group vocal performance, or really any other audio that could benefit from doubles or layered performances, the hard part is never creating the copy - it’s always deciding what you do with it after. Rather than requiring you to copy your settings or create a new signal chain from scratch, Howard Benson Vocal Multiplier sends your duplicated signal through some of the most frequently used post processing in vocal mixing. Each stage of processing has been optimized to work best in this configuration, creating an easy-to-use, consistent mixing workflow User-Friendly Controls Howard Benson Vocal Multiplier is packed with straightforward user-friendly controls like Pitch Mod Depth & Timing, High & Low Tone, Voice Count & Stereo Width and even single knob Saturation, Delay, and Reverb modes. But don’t be fooled by these simplistic controls, these effects sound rich and go DEEP. Select from 3 Vocal Density options, 4 types of Saturation, 6 Delays, and 4 Reverbs - plus everything else listed below. Howard Benson Vocal Multiplier is broken into two main sections - Voice Generation and Post Processing. The Voice Generation section of the plugin is responsible for taking your source audio and turning it into a lifelike clone, including varieties in pitch and timing as you'd find in a real-world vocal double. It can create one double or many depending on how you set it up. Doubles can be tightly locked together or modulated for more extreme results. The Post Processing section handles everything else - vocal density, saturation/warmth, compression, delay, reverb, and output gain. Use as much or as little as you want to get the group vocal results you desire! How to use Howard Benson Vocal Multiplier Voice Generation Start your vocal multiplying efforts in the middle of the plugin using an XY Pad to find the perfect balance of Voices and Stereo Width. Fine-tune your Voices and Stereo Width independently with the sliders Set the Multiplier Volume to set how loud the generated voices are compared to the source 📌 Tip: Set Multiplier Volume louder while working to clearly hear your changes. Pitch Mod Once you’ve got the right number of voices, use Pitch Depth and Timing controls to set how much they vary from the source. Depth controls how far the generated voices can drift from the pitch of the original Rate controls how long it takes for a generated voice to reach that depth 📌 Tip: Set lower values for more natural variations in pitch. Timing Timing adjusts the spread of timing differences between the generated voices 📌 Tip: For tight vocal doubles, set lower values. For multiple voices (used in conjunction with Vocal Density - for chants and grouped vocal effects), raise the knob to audibly hear the separation. Tone Tone provides tilted-EQ shelf controls with wide Q, for High and Low equalization of the generated voices 📌 Tip: Used to shape and contour the generated voices, adjust to taste... Reduce the lows when using the Low Oct generator to balance mixed vocals. Raise the highs on backgrounds, strings, keys (pads), and guitars to add sparkle and air - when wrapped in reverb and ducked behind the source, this is a cool effect. Low Oct Adds a generated voice an octave below your source The Low Oct control preserves the formant, tracking the pitch of the input source accurately for a natural blend. 📌 Tip: This works great on a multitude of sources, not just vocals but bass and guitars to add weight a girth for solo phrases or to drive heavier genre music styles. Vocal Density Remove empty space around the voices generated by the plugin by increasing Vocal Density. Subtle - Adds a light amount of widening to each voice Normal - Adds a medium amount of widening to each voice Dramatic - Adds a substantial amount of widening to each voice 📌 Tip: Use the Dramatic density type for heavily processed vocals or non-vocal sources. Saturation Harmonic Saturation is super common processing for vocal mixers. Howard Benson Vocal Multiplier offers 5 types: Off - No saturation Vintage Tape - Classic, slightly dirty saturation Clean Tube - Tight and balanced saturation Warm Tube - Warmer, fuller tube saturation Broken Tube - Aggressive saturation with unexpected harmonic variations 📌 Tip: When testing each mode, turn up the amount to hear the effect more clearly. Glue Glue acts as the main compression stage of the Howard Benson Vocal Multiplier plugin. Based on the highly-successful Bus Glue series by JST Creates consistency between source audio and generated voices by reducing peaks Can be set to minimum value to bypass compression 📌 Tip: Glue is applied before FX, which means they can be affected by uncompressed peaks. Use it wisely! Delay There are 7 built-in Delay options in Howard Benson Vocal Multiplier. Control repeats with the Feedback slider. Off - No delay Lofi Slap - Low fidelity slapback delay Lofi 1/8 - Low fidelity eighth note delay Lofi 1/4 - Low fidelity quarter note delay Tape 1/8 - Eighth note tape delay Modern 1/8 - Eighth note digital delay Pong 1/4 - Quarter note delay with panning effect 📌 Tip: Use Lofi Slap with lower voice counts to create upfront sounding vocals. Reverb There are 5 built-in Reverb options in Howard Benson Vocal Multiplier. Off - No reverb Bright Room - Short, high frequency reflections Dark Room - Short, low frequency reflections Cathedral - Long reflections with some high frequency rolloff Outer Space - Extra long, seemingly infinite reflections 📌 Tip: A little goes a long way with reverb! Don’t drown your vocal doubles with reverb (unless that’s the sound you’re after) Additional Controls Filter - A combined high and low pass filter (20Hz - 20kHz) Mute Input - Mutes the input signal Mono Low-End - Makes the low-end of the voice group mono 📌 Tips: Darken / Brighten generated voices to fit your mix with the Filter (note; this param does not affect the Low Oct voice). Remove the input source using Mute Input when used on a bus group track. Set Mono Low-End to focus your lows and create space for your voices to shine in the mids and highs. What You'll Get Single-User Perpetual iLok Software License 3 Activations Per License Purchase Powerful collection of presets for getting your mix bus sounding perfect with only a few clicks! Audio Plugin in AU, VST3, AAX formats User Manual Requirements Mac or Windows computer with supported OS and supported DAW FREE iLok Account (iLok dongle NOT required - Computer, iLok 2/3, iLok Cloud activation supported) Supported Operating Systems Windows 7+ (64 bit): VST3, AAX macOS 10.14+ (Intel or M1/M2, 64 bit): VST3, AU, AAX Supported DAWs Cubase Reaper Pro Tools Logic Garageband Ableton Live Studio One FL Studio Digital Performer LUNA Legal © Joey Sturgis Tones. All rights reserved.VST and VST3 are trademarks of Steinberg Media Technologies GmbH.Mac OSX and Audio Unit are trademarks of Apple, Inc.AAX is a trademark of Avid, Inc.Windows is a trademark of Microsoft, Inc.

USD 29.00

Sidewidener ll - Mono-compatible Stereo Widener

FEATURED IN: Sidewidener II is the ultimate mono-compatible spatial imaging tool for individual sources, instrument groups, and master bus processing. As far as stereo image processing goes, there’s never been a better option for mixing and mastering engineers than Sidewidener II. While the interface is simple and accessible to all skill levels, the pseudo-stereo, psycho-acoustic enhancements happening under the hood are world-class in their design and execution. JST · JST Sidewidener II - Audio Demos With Sidewidener II, you can enhance stereo separation, improve spatial imaging, and create width from mono sources with just a few quick adjustments without phasey-sounding results - all while monitoring the effect of those adjustments on up to three different visualizers. Wide View Sidewidener II includes features for musicians, engineers, and producers looking to introduce spatial widening to their tracks without the risk of breaking their mix in the process. You can: Control the width of any instrument or group of instruments in a mix Easily stereoize mono tracks (without losing the center) Enhance stereo tracks, making them sound even wider Monitor your results with precise, sample-accurate visualizations Mastering-Grade Visualization For professional mastering engineers, sample-accurate, precise monitoring is essential when it comes to detail-oriented work and spatial enhancement is no exception. Sidewidener II has three distinct visualizers incorporated in the plugin that you can easily toggle between to visualize your audio in the way that works best for you including: Polar Sample Visualizer The Polar Sample Visualizer uses polar coordinates to plot dots per sample across the stereo field from left to right. Dots placed within 45 degrees of center are considered “in-phase” while those falling outside of that range are considered “out-of-phase”. Polar Level Visualizer The Polar Level Visualizer uses polar coordinates to plot rays per sample across the stereo field from left to right. Rays within 45 degrees of center are considered “in-phase” while those falling outside of that range are considered “out-of-phase”. The length of each ray represents its amplitude. Lissajous Visualizer The Lissajous Visualizer uses rectangular coordinates to plot rays per sample across the stereo field. Generally, this visualization is used to identify how similar or dissimilar left and right channels are. A shape that is taller than it is wide means the two channels are more similar than different, with a straight vertical line representing true mono.In addition to these three visualization modes, Sidewidener II also includes a Correlation Meter and Stereo Balance Meter for complete mastering-grade monitoring while you mix. Your Mix, Your Modes Don’t get locked into a one-size-fits-all solution to your spatial widening needs. Every session (and every instrument for that matter) has its own unique characteristics, and your stereo enhancements need to be flexible when working with various source material. Sidewidener II comes with 5 distinct modes to choose from: Classic Subtle - Provides simple, subtle spatial widening. Classic Balanced - Provides a traditional spatial widening effect. Classic Extreme - Allows for maximum width at the risk of some time smearing (similar to a room reverb). High-End Enhancer - Provides a subtle stereoizer effect and high-end widening. Midrange Pusher - Provides subtle stereoizer effect and midrange widening. TIP: Try High-End Enhancer mode on your lead vocal track and Midrange Pusher on your guitars! Why Mono Compatibility Matters One of the biggest pain points most mixers will face with any spatial imaging tool is a lack of mono support. Pushing wideners to their limits can sound great in stereo, but the moment those processed tracks get collapsed down to mono, the mix buckles and instruments disappear.Sidewidener II alleviates this problem by being the industry’s first and only mono-focused spatial processor, retaining mono compatibility above all else. As a result, you can push the plugin to its limits with even the most extreme processing mode and still get results that work on mono devices.Whether you’re a professional or a beginner, Sidewidener II processes your audio in a way that’s SAFE and EFFECTIVE! What You'll Get Single-User Perpetual Software License Audio Plugin in AU, VST3, AAX formats User Manual Requirements Mac or Windows computer with supported OS and supported DAW Supported Operating Systems Windows 7+ (64-bit): VST3, AAX macOS 10.14+ (Intel or M-Series, 64-bit): VST3, AU, AAX Supported DAWs Cubase Reaper Pro Tools Logic Garageband Ableton Live Studio One FL Studio Digital Performer LUNA Legal © Joey Sturgis Tones. All rights reserved.VST and VST3 are trademarks of Steinberg Media Technologies GmbH.Mac OSX and Audio Unit are trademarks of Apple, Inc.AAX is a trademark of Avid, Inc.Windows is a trademark of Microsoft, Inc.

USD 39.00

10% off

7 uses

high

worked 7 days ago

10% Off (Storewide) at Joey Sturgis Tones

5% off

60 uses

high

worked 7 days ago

5% Off Select Items at Joey Sturgis Tones

15% off

1 uses

high

worked 3 months ago

Score 15% off with discount code

20% off

0 uses

high

worked 8 days ago

20% Off Storewide at Joey Sturgis Tones

Sustainability Score

45%

While JST operates primarily in the digital space with a relatively low direct environmental impact, the company lacks transparency regarding their business practices and ESG policies. There is limited information about their server infrastructure sustainability, workplace policies, or commitment to environmental initiatives. As a digital company, they have opportunities to implement and communicate clear sustainability practices but currently fall short in these areas.

About Joey Sturgis Tones

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FAQs

: JST usually runs major sales during Black Friday (November), Summer (June/July), and various holiday periods throughout the year. They also occasionally offer flash sales announced through their newsletter.
: Discounts typically range from 30-50% off during major sales events, with some products occasionally receiving up to 70% off during Black Friday.
: Yes, JST offers a 20% educational discount for eligible students and teachers with valid academic credentials.
: Black Friday typically offers the best deals of the year, with the largest selection of products on sale and the deepest discounts.
: In the past month, Joey Sturgis Tones has launched 10 new promo coupons for shopper discounts. This indicates that Joey Sturgis Tones provides regular opportunities for customers to save money on their purchases.
: On average, Joey Sturgis Tones provides 5 discount coupons each month. Based on historical data, the average time between Joey Sturgis Tones coupon releases every 6 days. However, this rate depends on various factors such as seasonal promotions (Black Friday, Cyber Monday, etc.), product launches, or other marketing initiatives. To stay informed about upcoming discounts and promotions, we recommend checking Joey Sturgis Tones website regularly, subscribing to email newsletters, and following them on social media.
: Joey Sturgis Tones is offering 12 working store-wide codes, however they are also offering 60 additional discount codes with a best discount of 25% off
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Aleksa P.

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Last updated September 2025

Aleksa is a deal finder from the tech-savvy city of Austin, Texas. A keen coder by day and a discount guru by night, Aleksa checks back regularly to update you with new deals.

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2025-04-29

Joey Sturgis Tones Promo Codes and Coupons September 2025